This isn’t totally bass-related, but it might be intriguing for some of you who are interested in extreme metal and in drumming (even separately).
My wife finished her 2nd masters degree this year. Apart from her MLS, she now has a masters in anthropology. Her thesis topic was centered on women’s participation in New York’s extreme metal scene – from musicians and fans to others in the industry like photographers, writers, women who run magazines and websites, women who host radio shows and more. We attended shows (quite a few were around the baby’s schedule), she met and interviewed women in the scene, conducted an online survey with dozens of respondents, and met and presented with incredible metal music scholars – a discipline that I didn’t even know existed until she started doing her thing. Many of them have written books and papers in academic journals and some have released video documentaries as well. Its a thriving and fascinating international community.
Anyway – for those interested, her thesis is finally available for public consumption via CUNY Academic Works. Here’s a link to the PDF (you can click the “download” button on CUNY’s site or read it online):
Here’s a link to her blog where she announced the release of the thesis as well:
January 11, 2017 | Categories: Background, Books & Resources, Music Culture & History | Tags: cultural anthropology, culture, CUNY Academic Works, drums, extreme metal, heavy metal, Individual Thought Patterns, Joan Jocson-Singh, librarians, Metal, metal music librarians, Music, women, women in metal, women's studies | Leave a comment
Its been 3 weeks since I blogged or practiced. I paused during the week that wifey flew out to Seattle with a friend to present at a librarian conference. They did a piece on librarian stereotypes in media (specifically TV, I think) in the 2000’s. Next week, I’m going to fly back out there with her so she can speak at the EMP Pop Conference. This year’s title is From a Whisper to a Scream: The Voice in Music. Here’s a snippet from their website about it:
The EMP Pop Conference returns with its biggest roster of presentations yet, looking at the ways music lets us hear voices: singers, to be sure, whether virtuosos or idiosyncratic originals, but also other types of vocalizing. How do instrumentalists insert their selves into their music? When the dominant voices in our songs change, what changes with that, from personal identity to collective messages? A switch in voice—from croon to rasp to rap to Auto-Tune—alters everything it reaches.
In dozens of panels, all free to the public (though we strongly recommend advance registration), we’ll explore musical voices across genre and time period: soul singers and rock singers, singers of exotica and Mexi-Cajun blues. Panels on goth-punk wailer Siouxsie Sioux, warbling rapper Future, and pop-rock duo Hall & Oates. Synthetic “vocaloids” and challenges to female decorum. Singing across lines of color. Good bad singing and bad good singing. Vocal coaching. Southern accents.
Wifey’s panel is called Noise Breeding Silence – Heavy Metal Voices. Here’s the description from the EMP website:
Metal remains fixed as a quintessentially white male hetero form in its most visible artists and presumed demographic. The emergent field of “metal studies” has begun to document metal’s appeal to women, non-white, and LGBTQ audiences, and to millions in the developing world. This panel considers to and for whom metal seems most to be speaking. Do metal’s various subgenres (death, black, doom, grindcore, etc.) all draw on the same underlying voice? Are different strains more or less inclusive? How do questions concerning metal’s inclusivity look different from a global vantage? What can we learn from participants who occupy non-dominant positions relative to core constituencies?
April 7, 2016 | Categories: Background, Bass Guitar, Shows | Tags: Agoraphobic Nosebleed, Barnard College, bass, Bass Guitar, Belle School of Music, Congenital Death, electric bass, EMP Pop Conference, Esther Clinton, From a Whisper to a Scream, Heavy Metal Voices, incfile.com, Jeremy Wallach, Joan Jocson-Singh, Kat Katz, Laina Dawes, Music, Noise Breeding Silence, piano, Snark tuner, Steve Waksman, women in metal, Yonkers All City Concert, Yonkers Lincoln High School | 3 Comments
As some of you know from previous posts, Wifey is working on her 2nd master’s. This one is in Cultural Anthropology. Her thesis is going to focus on women’s participation and experiences in the NY extreme metal scene (death metal, black metal, grindcore, etc.).
If you’re from around the NY metro-area and go to metal shows, are in an extreme metal band or work in the industry, feel free to take her survey. More info can be found on her blog:
Here’s a direct link to the survey itself: