Apologies in advance for what turned out to be a lengthy write-up, but I was really excited to receive this book. I’ve been looking forward to it as soon as I heard that it was being written, and it makes me regret more than ever the months that I took off from practicing.
So, I preordered Extreme Metal Bass by Alex Webster of Cannibal Corpse from Amazon in July, and today, it arrived! It was supposed to get here in September but was pushed back for some reason. Anyhow, I put off answering some client emails for a bit this morning and read the book (I got back to the emails afterward). I really like what he’s done. Here’s an overview:
Introduction: Some background on why he wrote the book (much of it has to do with a lack of material covering this genre of metal as a whole). He also speaks about how the techniques used in metal bass playing aren’t defined by hard-and-fast rules and encourages experimentation.
Notes: This goes a little into genre and the umbrella term “extreme metal”. It describes extreme metal as originating in thrash and moving on to death and black metal, and even deathcore and metalcore, but also says not to get hung up on any of this – the techniques are applicable to many styles of metal (and I’d hazard to guess other kinds of music as well in varying capacities).
October 6, 2011 | Categories: Bass Guitar, Bass Players, Books & Resources | Tags: Adam Neely, Alex Webster, BassBooks, BassBooks.com, Beaver Felton, Billy Sheehan, Cannibal Corpse, Carol Kaye, DAW, digital audio workstation, Extreme Metal Bass, extreme metal bass essential techniques concepts and applications for the metal bassist, Extreme Metal Bass review, flam, flamming, Hungarian minor scale, Hungarian scale, Music Theory A Practical Easy to Use Guide for Bassists, one finger per fret, Sean Malone, Stu Hamm, three-finger technique, tremolo, trill, Wally Voss | 11 Comments